CELACP

Defining Neo-Mexicanism and Neo-Mexicanist The many faces of Neo-mexicanism Situating Neo-Mexicanism Influences? Neo-Mexicanism - Was it a movement Who is a Neo-Mexicanist Disagreement on the Nature of Neo ¡-MKexicanism organizatioN The Making of an art movement? The cultural role of private interest The Televisa Telenovela Televisa and Neo-Mexicanist art Monterrey and Neo-Mexacanist art: The subasta MARCO How mexican Art has performed at auction in New York Mexican arts as cultural ambassador Parallel Proyect Moving on Dissecting Identity : Searching for roots or a New Language La Esmeralda Enrique Guzmán as the Precursor of Neo-mexicanism? The Legacy of Frida Kahlo The Ladder to success: Salones and encuentros Different visions: The Galería OMR and the Galeria Arte Contemporáneo Pintar en México The Galeria OMR: Exhibiting Neo-Mexicanist art in the 1980s The framing of Neo-mexicanism Rooted visions? Regionalismo vs. Mainstream Eloy Tarcisio : from Tenochtitlán to our time la muerte National Textures: El Nopal National Textures : La sangre Rocío Maldonado and Germán Venegas: From México profundo to the hybrid The Post-revolution: The national defined as the indigeneous Cultural displacement: the 1940s-70s Toward the cultural postmodern consumerism of the 1980s and 1990s México profundo The sacred and the profane The Hibryd The Conquest The Victory Lo Mexicano Spectacle Javier de la Garza and Alejandro Arango: Reevaluating signs of identity&A wounded national pride The Stage Los Innocese Encore The Conquest Post-Pop pastiche Coda Rubén ortíz Torres : neo Mexicanism and Postmodernism A Mexican postmodern artist Background and influences Continuity and cultural catastriphe Distant Relations? Culture as commodity.