CELACP

Edición : John Hayward

The Function of Criticism Criticism (1923) Tradidition (1934) Tradition and the Individual Talent (1919) Romantic and Literature (1931) Religion and Literature (1935) Journalism and Literature(1931) The Experience of Poetry (1929) The Development of Taste (1933) The Appreciation of Poetry (1933) The Critic of Poetry Poetry and Philosophy The music of poetry (1942) Poetry and Drama Experimentation (1941) Reflections on Vers Libre ( 1917) Revelance (1941) Difficult' Poetry Difficuklt poetry (1933) Auditory Imagination (1933) Poetic Imagery (1933) Virgil and Destiny (1951) Dante (1950) Shakespeare: The Pattern of Shakespeare (1932) The Unity of Shakespeare (1932) Hamlet (1919), and a *Postscript (1933) Ben Jonson (1919) The Metaphysical poets (1921) The Caroline Poets (1921) Milton I (1936) Milton II (1947) The pensées of Pascal (1931) Eighteenth -Century Poetry (1930) Blake (1920) Coleridge (1933) Arnold (1933) Tennyson´s In Memoriam (1936) Baudelaire (1930) Thomas Hardy (1934) Yeats (1940) War (1934) The Reformation of Society (1939) Church and State (1939) Christianity and Society (1939) A Christian Community (1939) Man and his Enviroment (1934) Christian´ or ´Pagan´ (1939) The Strait Gate (1931) Private Religions' (1931) Conformity to Nature (1939) Modern Education (1932) The Classics and the Man of Letters (1942) The Decay of the Music - Hall (1923) Society and the Arts The Criterion (1948), and *A Valediction (1939) Definition of Culture ( 1948) Conditions of culture (1948) Culture and the Family (1948)