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Principles of Literary Criticism

By: RICHARDS, Ivor Armstrong, 1893-1979Material type: TextTextLanguage: English Publisher: Nueva York, Hartcourt, Brace & World, Inc., [s.f.]Description: 295 pSubject(s): LITERATURA | TEORIA LITERARIA | CRITICA LITERARIADDC classification: 801.95
Contents:
The Chaos of Critical Theories The Phantom Aesthetic State The Language of Criticism Communication and the Artist The Critics' Concern with Value Value as an Ultimate Idea A Psychological Theory of Value Art and Morals Actual and Possible Misapprehensions Poetry for Poetry's Sake A Sketch for a Psychology Pleasure Emotion and the Coenesthesia The Analysis of a Poem Rhythm snf Metre On Looking at a Picture Sculpture and the Construction of Form The IMpasse of Musical Theory A Theory of Communication The Availability of the Poet's Experience Tolstoy's Infection Theory The Normality of the Artist Judgment and Divergent Readings Levels of Response and the Width of Appeal The Allusiveness of Modern Poetry Permanence as a Criterion The Definition of a Poem Art, Play, and Civilization Truth and Revelation Theories The Two Uses of Language Poetry and Beliefs.
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The Chaos of Critical Theories The Phantom Aesthetic State The Language of Criticism Communication and the Artist The Critics' Concern with Value Value as an Ultimate Idea A Psychological Theory of Value Art and Morals Actual and Possible Misapprehensions Poetry for Poetry's Sake A Sketch for a Psychology Pleasure Emotion and the Coenesthesia The Analysis of a Poem Rhythm snf Metre On Looking at a Picture Sculpture and the Construction of Form The IMpasse of Musical Theory A Theory of Communication The Availability of the Poet's Experience Tolstoy's Infection Theory The Normality of the Artist Judgment and Divergent Readings Levels of Response and the Width of Appeal The Allusiveness of Modern Poetry Permanence as a Criterion The Definition of a Poem Art, Play, and Civilization Truth and Revelation Theories The Two Uses of Language Poetry and Beliefs.

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